minutes of the meeting of 13.11.2006
architecture, decor, costume
The Art Director determined together with the directed the design of the set, including using a storyboard. original sites have the advantage that they "bring along" the architecture, landscape and scenery already.
first Architecture: The architecture serves as a dramaturgical means of expression. Large houses can stand for such power, wealth or prestige. Some of the buildings are only available as models, or as images. There are two methods: Matte Painting and Schüfftan process .
second decoration: The directors have to offer a preference for artificial scenery, as it provides more freedom for artistic aesthetic translation, lighting and design. In part, eg, Expressionism, even painted shadows on the decorations. As a means of expression can, for example, the depth of the decoration to be used to create an artificial, eerie atmosphere.
third Costume: Costumes sollten die Illusion vermitteln, dass sie Historisch korrekt sind, aber sollten auch die Schauspieler kleiden. Die jeweilige Mode spiegelt sich in der Kostümierung der Schauspieler wider. Das Kino macht Mode. Hüte, Kleider und Trenchcoats wurden in der Mode durch das Kino um- und durchgesetzt. An Charlie Chaplin kann man sehen, wie sehr ein Kostüm eine Figur prägen kann. Die Maske und das Kostüm stellen eine Symbiose dar, um einen Charakter optimal verkörpern zu können.
Ken Adam (Production Designer): Ken Adam created the look for the James Bond film "Dr. No ". He experimented with materials and used geometric shapes such as circles and triangles. He strives to create a reality that is more real than reality. He designed for "Goldfinger" Fort Knox. Ken Adam monitors its projects from design to construction of the model. He also worked for Stanley Kubrick and searched for him locations for original sites.
Film: Kriemhild's Revenge: A fire-breathing and later bleeding dragon was used in a decoration with rocks and trees.
Film: The Weary Death: A Gothic stylization creates an unreal, mystical mood.
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