minutes of the meeting of 23.10.2006
first The camera
The film is "moving photography." The movie camera can show processes that we can not perceive with the eye. You can zoom and processes which we perceive in nature can play, (slow, high-speed imaging, time-lapse photography). Movement in the movie means two things: First, the movement of objects and the other the movement of the camera itself (movement through space) within the framework of the temporal dimension. The camera can play an objective or subjective point of view. The film format (such as Cinemascope or Letterbox) has an impact on the aesthetic effect of the film. The Cinemascope has to be able to take advantage as the number of people simultaneously. The composition of the film is similar to the composition in photography or painting. The film reveals the opinion or attitude of the filmmaker.
second Film: The possibilities of the camera
The camera acts as a registration agent. The rigid position can be the first films appear rather monotonous. Around 1900, was shot from the same camera settings. James Williamson led the close-up, and created films with cutting, so that can be realized because of the films with separate time and space of action. "The attack on the mail train" (Porter) began the tradition of American Westerns.
third The types of settings
From 1910 grew the possibilities of cinematic expression by different combinations of camera settings.
3.1. The iris
The iris can cause a circular darkening to the edge.
3.2. The Total
The shot can set at from a distance as the isolation of a person from their environment or the isolation of two people present in a city. Through the camera angle from above makes the long shot the despair of the offender clearly.
3.3. The close-up
The close-up example, is suitable to show the desperation of the people by bringing them closer to the viewer so that it can discover more details in facial expressions.
3.4. The different perspectives
3.4.1. Frog perspective
setting from below can be cast a sinister man, or set a majestic touch. It may seem threatening or even caricatured.
3.4.2. Vogelperspektive
Die Einstellung von oben kann den Zustand der Hilflosigkeit und Erniedrigung oder auch die Schwäche und Unselbständigkeit betonen.
3.4.3. Normalsicht
Bei der Normalsicht ist die Kamera auf Augenhöhe positioniert. Der Zuschauer hat den Eindruck das Geschehen als Beobachter wahrzunehmen.
3.4.4. Die schräg gestellte Kamera
Das Bild gewinnt by the camera tilted slightly unreal. You can order effects, such as a difficulty in achieving progress against a resistance (wind) or the visual transposition of an unstoppable force advancing, .
3.5. The moving camera
panning of cameras can serve as a transition to other subjects and scenes and to increase the drama. The psyche of the people is reflected in the movement of the camera, eg in a camera movement from face to face, to portray the horror and sadness of a population. There were also built technical means for moving the camera, such as the so-called "Dolly", a car in order to move the camera into the smallest space.
3.5.1. Swivel the camera
When turning the camera is rotated only about its own axis, but remains fixed in one location.
3.5.2. Voyage of the camera
There are different directions when passing the camera: you can be moved in the vertical (elevator ride) and in the horizontal (parallel tracking, pursuit driving, Ran or Access). The camera movements can be different rates and are combined with transitions. The camera and object movements lead to very complex relationships in the film, which must be considered in the analysis. Alfred Hitchcock uses a crane shot to get out of long shots to Detail, to use the camera as an authorial narrator to solve a puzzle. The camera switches from the authorial role of the subjective role, from the perspective of the murderer, and the audience makes virtually an accomplice.
3.6. zoom lens
The zoom lens can simulate camera movement. However, change through the application of the objective spatial conditions as well as the depth of field, leading to a special effect, which is used as a stylistic device. The zoom lens is also used in combination with the camera movement.
4th Film: Frenzy
Hitchcock mounted the camera on a helicopter and opened with a camera flight, the opening scene. The camera was mounted on a special holder, should reduce the vibrations.
0 comments:
Post a Comment